“The solo playing is spectacular on all counts.”
American Record Guide (United States)
"The winner of the Geneva International music Competition provided us with an overwhelming masterful performance."
The Geneva Journal (Switzerland)
"Hong-Mei Xiao played with the highest measure of ringing warmth of tone and brilliant technique. The concert demonstrated a special artistry."
Berlin Morgenpost (Germany)
"Hong-Mei Xiao provided an unforgettable evening of music making on the highest artistic level."
Newsday (United States)
"The Chinese violist Hong-Mei Xiao, thanks to her expressive qualities and noble playing style, is the ideal interpreter for the (Schnittke) concerto. Her rich tone, her brilliant virtuosity and her sense of phrasing let the music express itself in a pure way."
Geneva Tribune (Switzerland)
"Hong-Mei Xiao drew enchanting sounds from her viola. Her technical ability stands on an extraordinarily high level. She held the listeners in her grasp with this highly musical and energetic interpretation."
Westdeutsche Allgemeine (Germany)
"What most stands out on the whole CD is the wonderful craftsmanship of Hong-Mei Xiao. Her deft touch and feeling for the music comes shining through in this performance with the Budapest Philharmonic Orchestra."
Worcester Evening News (United Kingdom)
"The soloist Hong-Mei Xiao was wondrous."
"The talented violist showed herself to be an admirable instrumentalist and an intelligent musician. Her playing manifested an ideal velvet sonority and a purity of legato in the cantabile passages, and a prestigious and flexible technique with solidity and energy in the virtuoso passages."
The Courier (Switzerland)
"Xiao and the Budapest Philharmonic Orchestra give a lively and exciting performance.”
The Strad (United Kingdom)
"Hong-Mei Xiao's performances are amazing technically and expressively."
Sunday Telegraph (Australia)
"Xiao is obviously a gifted violist. Her playing has great gusto and she's the closest to Primrose (the original performer) in spirit and sound that I've yet encountered. Her soulful, expressive approach is ideally suited to this warm-hearted music."
American Record Guide (United States)
"Hong-Mei Xiao has demonstrated to us that she is a highly expressive artist with consummate individuality."
“This performance, by superb viola soloist Hong-Mei Xiao, demonstrates all the classical virtues of superior string playing: warm tone, excellent intonation (even in double-stops), and vocal, cantabile phrasing. Her arrangement of Baal Shem (originally composed for violin) is wholly persuasive, and both this and the late (1951) Suite hébraïque combine with the Viola Suite to present a winning portrait of this still-neglected master of the orchestra. An excellent disc.”
Classicstoday.com (United States)
"Ms. Xiao, the soloist with the North German Radio Orchetsra, gave a truly outstanding performance. Her playing was full of expression and confidence. Her technique was impeccable."
The Ming News (Hong Kong)
"This first recording of the revised version of Bartok Viola Concerto, superbly played by the rich-toned Chinese viola player Hong-Mei Xiao, proves fascinating."
The Guardian (United Kingdom))
“Hong-Mei Xiao is magnificent. She is an excellent soloist with a lovely full rich tone.”
The classical reviewer (United Kingdom)
"Ms. Xiao's playing sings so beautifully with a full and rich enticing sound; in the meanwhile the fast passages were really clear and strong technically. It was very impressive that she had such command of perfect rhythm and brilliant technique."
Ongaku no tomo (Japan)
“This (Bloch) CD is beautifully played by Hong-Mei Xiao.”
Penguin Guide (United Kingdom)
"The most striking element about this (Bartok Concerto) disc is the thrillingly dark tone and passionate playing of Xiao, a superb Chinese musician."
Editorial Review, Amazon.com (United States)
“There have been many fine viola recordings released in the past two decades, but this Bloch CD from Hong-Mei Xiao is very much in a league of excellence all of its own. Born in China, she came to worldwide attention in 1987 when winning the Geneva International Music Competition. Since then she has enjoyed a major career as a concert soloist, her recordings having included Bartók’s Viola Concerto in its original and revised versions for Naxos. Here she has chosen a program of music by Ernest Bloch linked with his love of Judaism in its contribution to culture. At times it is ecstatic in mood, the viola sweg upwards as if a bird in flight, the technical hurdles simply swept aside, Xiao’s viola producing the most gorgeous sounds. Baal Shem is one of Bloch’s best-known works, and was conceived for violin and piano, the original accompaniment later orchestrated and now arranged by the soloist for viola. As her instrument has a violin quality high in the register, the change is hardly noticeable. If I would commend the disc for the viola playing, I would then go on to say that it is one of the most idiomatic and colourful orchestral discs of Bloch I have yet encountered. Add the excellence of the recording and you have my fervent recommendation.”
David Denton, David’s Review Corner (United Kingdom)
“You would think that a piece written in 1923 for viola and piano wouldn’t have to wait until 2005 for an arrangement for viola and orchestra. Yet such is the fate of Baal Shem. So we owe a lot of credit to dual violist and arranger Hong-Mei Xiao for her commitment to the cause. In any event, Bloch usually only gets credit for his “Jewish music”…and so rather than avoid that fact, Xiao and Naxos relish it will three suitably exotic works of varying far-east flavors. Whatever your thoughts on the “Jewish” or “Eastern” nature of the music, you can’t deny that it is well-crafted, drenched in color, and worthy of further exposure. Nor can you escape the fact that Xiao is a simply wonderful player, fully attuned to the various moods of the composer…The disc lasts just over an hour, and yet the music never tires the ear. Xiao is very well balanced against the Budapest forces, who clearly enjoy the rich tonal palette on display…this project is about a neglected composer’s writing for a neglected instrument, and has to be considered a success on all counts. Awesome.”
Classical Net (United Kingdom)
"Xiao brought the fullest measure imaginable to its (Hindemith Sonata) expressive and lyrical contour... She burst through its manifold hurdles with aplomb, winding through blazing accelerations and sudden shifts in momentum with mechanical precision. What came through was more than mere technical prowess. The underlying intellect and emotional landscape permeated the dazzling performance... The slow movement of the Brahms was particularly moving as Xiao coaxed graceful singing lines from her instrument over the supple accompaniment. In the Hummel she ornamented her manicured lines to utmost perfection."
Tucson Citizen (United States)